DISCOVER GOD OF WAR From Santa Monica Studio comes the sequel to the critically acclaimed God of War 2018. Embark on an epic and heartfelt journey as Kratos and Atreus struggle with holding on and letting go in God of War Ragnarök. EXPLORE THE GOD OF WAR SERIES God of War Ragnarök Original release PS5, PS4 Release date November 9, 2022 God of War Original release PS4 Original release date 2018 God of War Ascension Original release PS3 Original release date 2013 God of War Ghost of Sparta Original release PSP Original release date 2010 God of War III Original release PS3 Original release date 2010 God of War Chains of Olympus Original release PSP Original release date 2008 God of War II Original release PS2 Original release date 2007 God of War Original release date 2005 Original release PS2 GOD OF WAR ON PC Kratos and Atreus' 2018 adventure is now available on Steam and Epic Games Store with a range of optimisations for PC players. PC features High-fidelity graphics NVIDIA DLSS and Reflex Support Controls customization Ultra-wide support BEGIN THE JOURNEY In contrast to the Greek pantheon, God of War 2018 and God of War Ragnarök set Kratos on a new journey with the Norse world, leaving his old life behind and seeking a new life with his son Atreus. A fantastic odyssey Father and son Combat Exploration Our Norse universe Incredible creatures Bear's score A fantastic odyssey From the marble and columns of ornate Olympus to the gritty forests, mountains and caves of Pre-Viking Norse lore, this is a distinctly new realm with its own pantheon of creatures, monsters and gods. The quest to redeem Kratos Living as a man outside the shadow of the gods, Kratos must adapt to unfamiliar lands, unexpected threats, and a second chance at being a father. Together with his son Atreus, the pair will venture into the brutal Norse wilds and fight to fulfill a deeply personal quest. “The son is the humanity that Kratos lost. He’s that mirror that’s reminding him that there is a different way, a way that he might have forgotten so long ago. -Cory Barlog, Creative Director The quest to redeem Kratos Living as a man outside the shadow of the gods, Kratos must adapt to unfamiliar lands, unexpected threats, and a second chance at being a father. Together with his son Atreus, the pair will venture into the brutal Norse wilds and fight to fulfill a deeply personal quest. “The son is the humanity that Kratos lost. He’s that mirror that’s reminding him that there is a different way, a way that he might have forgotten so long ago. -Cory Barlog, Creative Director "Be a warrior" A saga borne of ashe "Behind the curtain" God of War panel Father and son A second chance — Kratos is a father again. As mentor and protector to Atreus, a son determined to earn his respect, he is forced to deal with and control the rage that has long defined him while out in a very dangerous world with his son. Atreus is the humanity that Kratos lost "From a story perspective, Atreus is the humanity that Kratos lost. He's helping Kratos understand what it was like to be a human and Kratos is trying to help the kid understand what it means to be a god. The kid has no idea about any of that stuff. They're both sort of teaching each other a little bit and kind of helping each other hobble through a very difficult emotional journey." -Cory Barlog, Creative Director Mashable “Atreus only knows the world that he lives in with his dad. They've lived in this forest, a very small area. They're going out on the road together. Dad is just Dad. You don't really know any different. That's just a parameters for his life. As he starts to learn who he is, how he fits into all of this and who his dad is, it's an interesting sort of way that—he sees life differently than we see Kratos. He allows us to see Kratos with a slightly different lens because he's experiencing it all differently.” -Cory Barlog, Creative Director Vice Atreus is the humanity that Kratos lost "From a story perspective, Atreus is the humanity that Kratos lost. He's helping Kratos understand what it was like to be a human and Kratos is trying to help the kid understand what it means to be a god. The kid has no idea about any of that stuff. They're both sort of teaching each other a little bit and kind of helping each other hobble through a very difficult emotional journey." -Cory Barlog, Creative Director Mashable “Atreus only knows the world that he lives in with his dad. They've lived in this forest, a very small area. They're going out on the road together. Dad is just Dad. You don't really know any different. That's just a parameters for his life. As he starts to learn who he is, how he fits into all of this and who his dad is, it's an interesting sort of way that—he sees life differently than we see Kratos. He allows us to see Kratos with a slightly different lens because he's experiencing it all differently.” -Cory Barlog, Creative Director Vice Bringing Atreus to life Father and son trailer Combat Vicious, physical combat with an over-the-shoulder free camera that brings the player closer to the action than ever before. Fights in God of War mirror the pantheon of Norse creatures Kratos will face grand, gritty, and grueling. A new main weapon and new abilities retain the defining spirit of God of War while presenting a vision of violent conflict that forges new ground in the genre. "Right away the magic of throwing the axe, having it stick anywhere in the world, and then recalling it, and then kind of playing around with that, and realizing you can hit people with it, you can throw it behind them, move in front of them, recall it and hit him in the back." -Cory Barlog, Creative Director GamesRadar+ Magic of throwing the axe The Leviathan Axe A darker, more elemental world With an added emphasis on discovery and exploration, the world will draw players in to explore every inch of God of War’s breathtakingly threatening landscape—by far the largest in the franchise. From the marble and columns of ornate Olympus to the gritty forests, mountains, and caves of Pre-Viking Norse lore, this is a distinctly new realm with its own pantheon of creatures, monsters, and gods. “We don’t force you to go find something, but when you do, you are rewarded. You are rewarded with things like “Wow, there’s an entire level over here!” And I think that sense of discovery is so important. Linearity can drive you through this fantastic story – you’re always going to be driven forward by the development and arc of the characters – but at any given point in this game, you can pull the lever on the bus and stop to look around, and then get back on the bus and keep going." - Cory Barlog, Creative Director Game Informer Our Norse universe God of War takes place at the time when powerful Gods and incredible monsters walked the Earth. Our Norse universe is steeped within a darker and more elemental world. Prehistory point While real Norse lore and mythology was extensively researched by our team and is often heavily drawn from, this is our unique twist on the Pre-Viking, Pre-Migration Era of Norse Mythology. "In the Viking era, they always talked about, 'The gods have abandoned us.' Thor and Loki and Odin all walked the Earth at one point, but they're not around anymore. [The vikings] fight for them, but they're not there. This idea that we're at is saying, we're at a prehistory point, where gods did walk the Earth, when monsters were real before they became extinct." -Creative Director, Cory Barlog GameSpot Exploring Norse myth Sindri Huldra brothers Brok Huldra brothers Incredible creatures Get closer to the terrifying beasts that await you on Kratos and Atreus’ perilous quest. "On our journey we will be attacked by all manner of creature. To be effective in combat, a warrior must not feel for his enemy. Close your heart to the desperation, close your heart to their suffering. The road ahead is long and unforgiving, no place for a boy, you must be a warrior". -Kratos Bear's score Composer Bear McCreary is best known for his incredible work on Battlestar Galatica and The Walking Dead. In his own words, this is what composing the score of God of War means to him. Scoring God of War "My work on God of War began nearly two years ago. One rainy November afternoon, I was called into Santa Monica Studio to meet with acclaimed music producers Pete Scaturro and Keith Leary with whom I had collaborated closely on Sony’s SOCOM 4 US Navy Seals, to discuss a secret project. Our conversation revolved around folk music, mythology, Nordic ethnic instruments, vocal writing, and classical thematic development. "Wait a minute." I asked. "Is this... a new God of War?!" Their facial expressions told me everything I needed to know. And with that, I realized I was tumbling headfirst into a daunting and challenging dream project." BEHIND THE SCENES OF GOD OF WAR Learn more about the making of God of War Ragnarök and God of War 2018 from the creators at Santa Monica Studio. God of War Ragnarök God of War 2018 A new beginning How Santa Monica Studio began the journey of creating a new God of War. Defining the Norse direction A behind-the-curtains look God of War’s development process. "Give me God of War" Senior Combat Tech-Designer, Mihir Sheth gives an in-depth look at the hardest difficulty mode. Official Cosplay Guide Inspired by fans around the world, visit the definitive Official Cosplay Guide. New Game+ Relive the adventure of Kratos and Atreus in God of War's New Game Plus NG+ mode. Musical themes Composer, Bear McCreary, discusses exploring the Norse score. GOD OF WAR FAQs How long does it take to complete God of War 2018? Depending on the difficulty setting, the average player can expect to take around 20-25 hours total to complete the main story. Players seeking a completionist run can expect around 40-50 hours of gameplay total. Players should enjoy the game at their own pace regardless of the time listed above. ©2021 Sony Interactive Entertainment LLC. God of War is a trademark of Sony Interactive Entertainment LLC. 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At the end of yesterday’s Summer Game Fest stream, host and impresario Geoff Keighley announced that the show would return in June 2023 as both a digital and, for the first time, in-person event. There is a small physical component to this year’s Summer Game Fest, but it’s media-only. Oh, and you could also pay to view it in an IMAX theater, if you really wanted to. Keighley’s announcement came just days after the Entertainment Software Association confirmed that E3 would return in 2023, both in-person and online, to the Washington Post. ESA president and CEO Stan Pierre-Louis said that, after skipping 2022 entirely, E3 would be back, despite widespread predictions that the stalwart games industry trade show was dead for good after a difficult few years. It now seems the two events are set to clash directly, competing for exclusive reveals, partnerships, eyeballs, and visitors. This can only mean one thing The chaos and disarray surrounding the game industry’s traditional June marketing jamboree is set to continue, for one more year at least. Keighley’s aggressive move against his former partner — he produced the E3 Coliseum live show for a few years but withdrew in early 2020, before that year’s event was canceled — comes at a rough time for E3, the ESA, and the summer games celebration in general. The pandemic years have, naturally, been tough on E3. When the 2020 show was canceled, Keighley swooped in to stake his claim to a digital version of its celebration of the game industry with the first Summer Game Fest. It worked, up to a point, but many publishers chose to scatter their own showcases throughout a long and exhausting summer of piecemeal reveals. In 2021, E3 attempted to return with its own digital event, which was a poorly conceived disaster, with few partners and few reasons to exist. The way the online event was designed betrayed a poor understanding of the internet, so it made sense that most developers and publishers ended up collaborating with Keighley or hosting their own showcases. A chastened ESA canceled the 2022 show, citing concerns about coronavirus, although reports suggest this was cover for a deeper lack of appetite for staging the event. BTW, I 100% believe Futterish's reporting that the ESA gave up on E3 months ago there would otherwise have been dates on their website over the PR fluff piece that hit today. No way was this a knee-jerk reaction to Omicron. It's E3 throwing in the towel— Jason Schreier jasonschreier January 6, 2022 In fact, E3’s woes go back further than the pandemic. It had already started losing key exhibitors prior to 2020, in particular EA and, most damagingly, Sony. Stakeholders at the big brands were apparently questioning the value of an expensive in-person trade show when they could address fans and the industry directly online. Since 2017, E3 has also attempted to morph what had always been an industry-only show — albeit with a pretty wide definition of “industry” — into a hybrid trade and public event, with some tickets available for the public to buy. This only resulted in an overcrowded event that didn’t seem well set up to serve either of its audiences. To make matters worse, in 2019, the ESA earned the profound mistrust of the media when a leak of its database revealed the personal details of thousands of attendees, mostly journalists and influencers, opening them up to harassment. The ESA and E3 as we know it have an awful long way back to climb out of this position — which, it must be said, is more than partly self-inflicted. The E3 brand, as powerful as it is, is damaged, and the organization behind it is hemorrhaging trust and relationships. The time seems right for someone like Keighley to step in and replace it. E3 in its 2009 heyday. Will we ever see the like again? Photo Kevork Djansezian/Getty Images But it will not be a simple matter. In announcing an in-person component for Summer Game Fest, Keighley is acknowledging that if the summer games celebration is to have a future, it can’t exist only online. Without a physical event, there’s insufficient incentive for developers and publishers to stick to a set of dates or partner up for their reveals — they can just go it alone whenever they want. In theory it might be easier for publishers to make themselves heard that way, but in practice, there’s no focus, and audience interest ebbs away, as we found in 2020. There’s absolutely a benefit to the industry in coming together to show their wares, and it’s more exciting for fans, too — so that means coming together in person. But staging large-scale physical events like this is tremendously hard. I should know; I used to work at a company which held its own games expo in the — EGX — and which was eventually acquired by ReedPop, which runs PAX. Geoff may understand the internet much better than the ESA, but the ESA has much more experience running a show floor than Geoff, whose only experience staging a physical event is the invite-only Game Awards. If the ESA chose not to run a show this year, it is because it knows just how difficult that show will be to put together. It is surely also because it is taking the time to reconceive E3 from the ground up as a consumer, rather than industry, event. There’s a very good chance that the E3 of the future will look a lot more like a large-scale fan event — a PAX, a BlizzCon, or a D23 Expo — than a trade show. If it’s smart which, admittedly, is very much up for debate the ESA will be looking for a partner experienced in such events to help it stage E3 next year. For all the challenges facing the ESA, putting on a competing event from scratch will be even harder for Summer Game Fest. Yesterday’s stream proved that digital game events struggle to generate atmosphere. Image Summer Game Fest The final thing to consider when we look ahead to next year is the state of the game industry itself. Yesterday’s opening Summer Game Fest stream was hardly convincing. Presented in a quiet, empty studio with no audience, and boasting a distinctly second-rate roster of reveals, it spoke of a game industry that is still reeling from the pandemic — even as in-person entertainment fields like theater, film, and sports are roaring back to life. Production schedules are clearly still affected; 2022 has so far seen a sudden glut of delayed big releases early in the year, followed by a long, long dry spell. “We don’t need E3” has been a common refrain for years now. But perhaps we do need something like it to restore some of the confidence, focus, and showmanship that’s currently missing, and to make being a games fan exciting again. Keighley knows this, and the ESA knows it. In their heart of hearts, most publishers know it too, even if they have enjoyed the respite from spending money on it. But it seems it will be at least one more year of chaos, confusion, and scattershot competition before the industry can settle on what that thing should be.Carainstall god of war 2: Extract file hasil download dengan winrar. Jalankan mengkliknya 2x. Bila proses instal sudah selesai, jalankan God of war II.exe pada folder C:\Program Files\God of War II\God of War II. 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